Cyril pedrosa autobiography
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- From to , Pedrosa drew Autobio for Fluide Glacial, a fictionalized ecological-themed autobiography.
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From 2008 to 2009, Pedrosa drew Autobio for. | |
Born in 1972 in Poitiers, Cyril Pedrosa was a huge comic book fan during his childhood and adolescence. | |
Pedrosa's loose, expansive writing style is perfectly complemented by his lush, lightly lined drawings, in which people and their stories overlap each other with discursive enthusiasm. |
Review: EQUINOXES by Cyril Pedrosa - Comics Grinder
- Cyril Pedrosa began his career in animation, working on the Disney films "Hunchback of Notre Dame" and "Hercules." He has since become a rising star in a new kind of graphic storytelling, combining the influences of animation and the literary traditions of Borges, García Márquez, and Tolkien to create a unique visual handwriting.
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Cyril Pedrosa - Wikipedia
- Born in in Poitiers, Cyril Pedrosa was a huge comic book fan during his childhood and adolescence.
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Cyril Pedrosa - Wikiwand / articles
Cyril Pedrosa | Becomix
- A collection of short one- or two-page sketches about the daily life of the author himself, centered around the topics of family life and green/ecological thinking.
Cyril Pedrosa
Cyril Pedrosa, born in 1972, is a French comic author and illustrator who has made a name for himself with fictitious and autobiographically inspired stories. After completing his studies in illustration at Paris’s Gobelin Art School, he first of all worked at the French Disney studios as an animator and was involved in animated classics like »The Hunchback of Notre Dame« and »Hercules«. In collaboration with comic script developer David Chauvel, he illustrated several issues of the »Ring Circus« series from 1998. The two also worked together to create the children’s series »Brigade Fantôme«.
In 2007 Pedrosa published his graphic novel »Drei Schatten« (tr. Three shadows). This fairytale-like story deals with a boy and his parents who are visited upon by three mysterious writers who force the small family to take a closer look at existential questions such as loss and fate. The book, which is illustrated in a flowing strokes that are inspired by animated films receive