Nyoman masriadi the man from bantul dalam

nyoman masriadi the man from bantul dalam

The man from Bantul The final round by Nyoman Masriadi on artnet

    Depicting a lone boxer and suffused with elements of the autobiographical, the painting reveals the enigmatic artist's sense of self-worth and is the most personal and self-revealing work from his sought-after Man From Bantul series.

Nyoman Masriadi

Indonesian Contemporary Artist

I Nyoman Masriadi (born 1973) is a painter and a leading artist of the post-Suharto era in Indonesia. His works have gained a collectors base which includes prominent collectors in and around the region.[1]

Biography

Masriadi was born 1973, in Gianyar, Bali. Masriadi received his training in art at the Indonesian Institute of the Arts, Yogyakarta (ISI).

Work

In Bali, where he was born, there were two traditions of painting - a sacred one and one of words for a Western audience - but his relationship to these is indirect. Masriadi received his training in art at the Institute Seni Indonesia (ISI) Yogyakarta. From the time he was an art student, he had already been recognized by peers as one of the first contemporary Balinese artists who eased himself away from an encompassing concern with Balinese life, culture and traditions in his works. He is reputed to have stood in front of the canvas on a cardboard box to r

I NYOMAN MASRIADI (Indonesian, B. 1973) Man from Bantul signed and dated 'MASRIADI 22 JUN 2000' (lower part of each panel) acrylic on canvas, triptych.
Man From Bantul is a strikingly iconic early work of Indonesian painter I Nyoman Masriadi.
Man From Bantul is a strikingly iconic early work of Indonesian painter I Nyoman Masriadi.

Master of his own mythology - Financial Times

  • Man from Bantul, 2000 ; Medium: acrylic on canvas ; Size: 200 x 150 cm.
    • (#838) I Nyoman Masriadi b. 1973 -

    Nyoman Masriadi - Wikipedia

  • Within the large scale triptych Man from Bantul (Lot 56), the viewer is exposed to three character archetypes which recur within Masriadi's oeuvre even to the present day - the military man, the boxer, and the curvaceous, nouveau-riche femme fatale.

    • Indonesian Visual Art Archive | Karya-Karya Nyoman Masriadi

  • Within the large scale triptych Man from Bantul (Lot 56), the viewer is exposed to three character archetypes which recur within Masriadi's oeuvre even to the present day - the military man, the boxer, and the curvaceous, nouveau-riche femme fatale.

    • Man from Bantul, 2000 - Nyoman Masriadi -

  • Nyoman Masriadi is a contemporary Indonesian painter known for depicting narratives embedded in Indonesian cultural history.

    • Nyoman Masriadi - 40 artworks - painting -

      The Man From Bantul (The Final Round) Attack from site.

    Nyoman Masriadi

      The Man From Bantul (The Final Round) has been variously described as “conveying the resolve of the human spirit” and “a powerful allegory of Indonesian politics” and “evocative of the weighty struggle of Sumo wrestlers juxtaposed with the calculated belligeren­ce of boxers.”.

    THE MAN FROM BANTUL - PressReader

      THE MAN FROM BANTUL 2019-02-13 - (THE FINAL ROUND) Painted: 2000.